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This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
Sacris Solemniis in the Catholic Encyclopedia discusses the merits of a number of translations. Panis angelicus (Franck): Scores at the International Music Score Library Project "Bread of Angels", Gregorian Chants; Panis angelicus: Text, translations and list of free scores by several composers at the Choral Public Domain Library (ChoralWiki)
The Hyde version of the hymn specifically, which is more commonplace than its counterpart, has been used in at least three hymnals, [6] [7] and was the version used in a cover of the hymn by the Catholic religious sisters congregation, the Daughters of Mary, Mother of Our Savior, for their likewise-named 1998 album "Mary of Graces". [8] [9]
Children's hymns and songs by Joseph Kennel (1924) [611] The Sheet Music of Heaven (Spiritual Song); The Mighty Triumphs of Sacred Song (1925) by Clayton F. Derstine [612] [613] Church hymnal, Mennonite, a collection of hymns and sacred songs, suitable for use in public worship, worship in the home, and all general occasions (1927) [614]
Hymn to St Cecilia, Op. 27 is a choral piece by Benjamin Britten (1913–1976), a setting of a poem by W. H. Auden written between 1940 and 1942. Auden's original title was "Three Songs for St. Cecilia's Day", and he later published the poem as "Anthem for St. Cecilia’s Day (for Benjamin Britten)".
"O sanctissima" (O most holy) is a Roman Catholic hymn in Latin, seeking the prayers of the Blessed Virgin Mary, and often sung in various languages on her feast days.The earliest known publication was from London in 1792, presenting it as a traditional song from Sicily; no original source or date has been confirmed for the simple melody or poetic text.
In paragraph 46 of this document, it states that music could be played during the sacred liturgy on "instruments characteristic of a particular people." Previously the pipe organ was used for accompaniment. The use of instruments native to the culture was an important step in the multiplication of songs written to accompany the Catholic liturgy ...
The assumption of Mary is praised in numerous songs from the 10th century, [13] In several songs, Mary is praised to be above all saints and angels and participates in the kingdom of her son. Her assumption is “wished by the faithful people” in a song from the 12th century. [14] The Marian songs and hymns in this epoch are too numerous to ...
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