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SOLOS: the jazz sessions is a 39-part television music profile/performance series produced in Canada by Original Spin Media. Each episode features complete musical pieces, interviews and behind-the-scenes footage with some of today's most notable jazz artists.
The song's bridge begins with a "dreamy" keyboard section, which leads into the first trumpet solo. [4] According to Ramone, the urgency and sexiness of the trumpet part is enhanced by the ascending and descending line played on bass guitar beneath the solo. [4] The second solo comes at the end of the song and goes into the fade out. [5]
In jazz, a turnaround is a passage at the end of a section which leads to the next section. This next section is most often the repetition of the previous section or the entire piece or song. [1] The turnaround may lead back to this section either harmonically, as a chord progression, or melodically.
Prelude, Fugue and Riffs is a "written-out" jazz-in-concert-hall composition composed by Leonard Bernstein for a jazz ensemble featuring solo clarinet.. The title points to the union of classical music and jazz: Prelude (first movement) and Fugue (second movement) – both baroque forms – are followed immediately without a pause by a series of "riffs" (third movement), which is a jazz term ...
The composition, in the words of jazz writer, Donald Clarke, is "an object lesson in how to swing at a slow tempo." [3]Gary Giddins expands on the importance of tempo in the performance of "Li'l Darlin '", saying that "in the enduring 'Li'l Darlin ' ', [Hefti] tested the band's temporal mastery with a slow and simple theme that dies if it isn't played at exactly the right tempo.
The song was released with lyrics by vocalist Aileen Stanley in 1920 on Victor. In 1927, Frank Trumbauer , Bix Beiderbecke , and Eddie Lang recorded and released the song as an Okeh 78. The Trumbauer recording is considered a jazz and pop standard, greatly contributing to Frank Trumbauer and Bix Beiderbecke's reputation and influence (it ...
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Jazz på svenska ("Jazz in Swedish") is an album by the Swedish jazz pianist Jan Johansson. It was issued in 1964 and consists of jazz arrangements of Swedish folk songs . All arrangements are very sparse, consisting only of Johansson on piano and Georg Riedel on double bass.