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The etymology of Ganggangsullae is not clear, however the term's origins can be guessed by interpreting the name in either indigenous Korean or Hanja characters. Some theorize that the term was derived from the indigenous Korean words, in which 'Gang' of Ganggangsullae means circle and 'sullae', which derived from the words 'sunu' or 'sulla', means a wagon or to alert.
A shop horo of Bulgaria Laz dancers in Armenia, circa 1911. Circle dance, or chain dance, is a style of social dance done in a circle, semicircle or a curved line to musical accompaniment, such as rhythm instruments and singing, and is a type of dance where anyone can join in without the need of partners.
"Oh Johnny, Oh Johnny, Oh!" is a song composed by Abe Olman (1887–1984), lyricized by Ed Rose (pseudonym for Edward Smackels Jr.; 1875–1935), [3] and published by Forster Music Publisher, Inc. The music was copyrighted 7 February 1917 and the copyright was renewed 29 December 1944.
Dances and dancing of this kind is seen as opportunity to develop participants' spiritual awareness, hand-eye-body coordination, and competency in harmonizing with others through dance. Many dances are choreographed with movements, steps, and gestures encouraging dancers to explore for deeper mystical meanings of the dance.
The dance was created in 1937 for a festival to celebrate the discovery of water in the desert after a seven-year search. The choreographer was Else I. Dublon. [1] The dance is sometimes known as "Ushavtem Mayim", after the first words of the lyrics, or simply just "Mayim", but "Mayim Mayim" is the original and most common name.
"Stella Ella Ola" (Stella Stella Ola), also known as "Quack Dilly Oso", is a clapping game where players stand or sit in a circle placing one hand over their neighbour's closer hand and sing the song. On every beat, a person claps their higher hand onto the touching person's palm.
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The brothers were fascinated by the combination of tap dancing and acrobatics. Fayard often imitated their acrobatics and clowning for the kids in his neighborhood. [2] Neither Fayard nor Harold had any formal dance training. [3] Fayard taught himself how to dance, sing, and perform by watching and imitating the professional entertainers on stage.