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Soundwave also assists Megatron with the interrogation of Autobot soldier Bumper. Soundwave is later jailed along with Megatron and others when Sentinel Prime's forces capture them, but is released by Ratbat. When Megatron's plan is sprung, Soundwave helps Starscream massacre the Autobot Senate.
Megatron is resurrected by Scalpel and the Constructicons with a shard of the AllSpark. Upon being revived, Megatron gains a new alternative mode as a Cybertronian flying tank. He kills Optimus Prime and both he and Soundwave hijack the Earth's telecommunications systems, allowing the Fallen to send a message that Sam be handed over to him. In ...
Soundwave: The communication officer he is the loyal minion of Megatron his alt mode was a cassette player but later versions give him a van or jet mode. Shockwave: A purple Decepticon with one eye he serves as the scientist obsessed with logic. His alt mode was a futuristic gun but later continuities turn him into a tank or jet.
(Turns out it was indeed a profound ideological divide that led to Optimus Prime and Megatron becoming foes.) Read more:The 27 best movie theaters in Los Angeles.
Soundwave realizes from Cosmos' account of the Sharkticons' living conditions that they are the Junkions' oppressed servants and quotes Megatron's pre-war writings to inspire the Sharkticons to rise up against their masters. As a Cybertronian colonist named Oiler and Junkion soldiers begin to fall in combat, Arcee interrogates Wreck-Gar about ...
“Transformers One” director Josh Cooley wanted an end credits song that captured the tone of his new animated feature. He had already enlisted composer Brian Tyler to compose the film’s ...
Megatron attempts to retreat, however Starscream orders Bruticus to capture Megatron and hold him while he gloats and humiliates him. While this is going on, the Stunticons arrive, combine into Menasor and defeat Bruticus. Megatron then orders Astrotrain to exile Starscream and the Combaticons to a distant asteroid. In the next episode, "The ...
"Megatron Man" is a 1981 dance single by producer Patrick Cowley, released by Megatone Records. [1] It charted at #2 on the Billboard Hot Dance Music/Club Play chart in 1981 and was the first track on his second album, Megatron Man , issued the same year.