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Sheet music cover featuring Rudy Vallée "Goodnight, Sweetheart" is a British popular song written in 1931. It has been performed by Al Bowlly, Kate Smith, Connie Francis (for her 1959 album My Thanks to You), Dick Haymes (for his Imagination album), Gordon MacRae (for his 1957 album Motion Picture Soundstage), [1] Sarah Vaughan (for her 1962 album Sarah + 2) and Dean Martin (for his 1958 ...
"Goodnite, Sweetheart, Goodnite" is a popular song that was a hit during the mid-1950s. It was written by Calvin Carter and James "Pookie" Hudson in 1951, and was first recorded by The Spaniels in 1953. [2] It has also been released by some artists as "Goodnight, Well It's Time to Go". [6]
"Goodnight Sweetheart" is a song co-written by Kim Williams, L. David Lewis and Randy Boudreaux. It was recorded by American country music artist Joe Diffie for his 1992 album Regular Joe . The song was later recorded by American country music artist David Kersh for his album Goodnight Sweetheart .
Post These Love Song Lyrics for Your Sweetheart on Valentine's Day. Josiah Soto. February 7, 2024 at 5:31 PM. The Most Iconic Love Song Lyrics Of All Time Alex Drummond / Instagram.
During this time, Noble co-wrote "Turkish Delight", "By the Fireside" and "Goodnight, Sweetheart". The latter song was a number one hit for Guy Lombardo in the American charts. It was also used (with vocals by Al Bowlly) on the original Star Trek television series episode "The City on the Edge of Forever". [6]
"Goodnight Sweetheart", a 1978 song by Frankie Miller from Double Trouble "Goodnight Sweetheart" (Joe Diffie song), 1992, also covered by David Kersh
The band broke up when the label went bankrupt in 1966, but in 1969, the group reformed, releasing song like "Fairy Tales" in 1970. An entire new generation was exposed to the group's music when "Goodnight Sweetheart, Goodnight" was featured prominently in American Graffiti and Three Men and a Baby.
For the version used in the episode, the lyrics were recorded by an unknown session musician. [41] It had been licensed to appear in the episode, [42] and at first, Steiner sought to use motifs from "Goodnight, Sweetheart" as the basis of his score. He wanted this to be subtle and introduce the melody of the song over time, but Justman realized ...