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Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th ...
Cézanne's studio (Atelier de Cézanne) is a biographical museum about the painter Paul Cézanne, in Aix-en-Provence in Southern France. It was his studio from 1902 until his death in 1906. It was his studio from 1902 until his death in 1906.
House in Provence (French title: Maison devant la Sainte-Victoire près de Gardanne) is an oil painting by French artist Paul Cézanne. Created between 1886 and 1890, [ 1 ] as of 2012 [update] it is part of the permanent collection in the Indianapolis Museum of Art .
The Hanged Man's House was presented at the First Impressionist Exhibition in 1874 and was the first painting that Cézanne sold to a collector. The village depicted in the painting is Auvers-sur-Oise , 27 km north of Paris.
While a number of biblical place names like Jerusalem, Athens, Damascus, Alexandria, Babylon and Rome have been used for centuries, some have changed over the years. Many place names in the Land of Israel, Holy Land and Palestine are Arabised forms of ancient Hebrew and Canaanite place-names used during biblical times [1] [2] [3] or later Aramaic or Greek formations.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
View of Auvers-sur-Oise is the common English name for a Paul Cézanne painting known by various French names, usually Paysage d'Auvers-sur-Oise, or in the artist's catalogue raisonné, Groupe de maisons, paysage d'île de France. [1]
The art historian and collector Bernard Berenson hosted Gertrude and Leo in his English country house in 1902, facilitating their introduction to Paul Cézanne and the dealer Ambroise Vollard. [29] Vollard was heavily involved in the Cézanne art market, and he was the first important contact in the Paris art world for both Leo and Gertrude. [11]