Search results
Results from the WOW.Com Content Network
Relational art or relational aesthetics is a mode or tendency in fine art practice originally observed and highlighted by French art critic Nicolas Bourriaud.Bourriaud defined the approach as "a set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space."
Social practice or socially engaged practice [1] in the arts focuses on community engagement through a range of art media, human interaction and social discourse. [2] While the term social practice has been used in the social sciences to refer to a fundamental property of human interaction, it has also been used to describe community-based arts practices such as relational aesthetics, [3] [4 ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Relational Aesthetics in particular has come to be seen as a defining text for a wide variety of art produced by a generation who came to prominence in Europe in the early 1990s. Bourriaud coined the term in 1995, in a text for the catalogue of the exhibition Traffic that was shown at the CAPC contemporary art museum [13] in Bordeaux.
Claire Bishop is a British art historian, critic, and Presidential Professor of Art History at CUNY Graduate Center, New York where she has taught since September 2008. [1] [2] Bishop is known as one of the central theorists of participation in visual art and performance.
Language links are at the top of the page across from the title.
Swift's aesthetic shifts are stark enough than fans can identify themselves in tandem with her various looks — or even to have parties where everyone comes dressed as their favorite Taylor Swift ...
A local fairground operator, Art Gillette, engineered the changes. In a catalogue essay for Höller's 2008 exhibition at Kunsthaus Bregenz , Carl Roitmeister writes of the carrousel works, "This is the age-old artistic ploy of defamiliarizing the commonplace in combination with the age-old artistic ploy represented by the Duchamp-style readymade.