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A typical example is Gérard de Lairesse's Allegory of the Five Senses (1668), in which each of the figures in the main group alludes to a sense: Sight is the reclining boy with a convex mirror, hearing is the cupid-like boy with a triangle, smell is represented by the girl with flowers, taste is represented by the woman with the fruit, and ...
These include the five classic senses of vision (sight), audition (hearing), tactile stimulation , olfaction (smell), and gustation (taste). Other sensory modalities exist, for example the vestibular sense (balance and the sense of movement) and proprioception (the sense of knowing one's position in space) Along with Time (The sense of knowing ...
The concept of five inward wits similarly came from Classical views on psychology. Modern thinking is that there are more than five (outward) senses, and the idea that there are five (corresponding to the gross anatomical features — eyes, ears, nose, skin, and mouth — of many higher animals) does not stand up to scientific scrutiny.
Sensory history is often written because of a significant lack of any examination of the sensory in a particular historical area previously. [12] This means that sensory historians can simply re-examine primary and secondary sources, with a lens for the sensory, in order to support their work. [1]
[1] [2] The allegorical representation of the five senses as female figures had begun in the previous century, the earliest known examples being the Lady and the Unicorn series of tapestries, which date to around 1500, [3] but Brueghel was the first to illustrate the theme using assemblages of works of art, musical instruments, scientific ...
There are five sense perceptions – hearing, touch, sight, taste and smell – and there are five tanmatras corresponding to those five sense perceptions and the five sense-organs. The tanmatras combine and re-combine in different ways to produce the gross elements – ether, air, fire, water, and earth – which make up the gross universe ...
For example, the alphabet stresses the sense of sight, which in turn causes us to think in linear, objective terms. The medium of the alphabet thus has the effect of reshaping the way in which we, collectively and individually, perceive and understand our environment in what has been termed the Alphabet Effect .
The concept of the inner senses, plural, was further developed in the Middle Ages. Under the influence of the great Persian philosophers Al-Farabi and Avicenna, several inner senses came to be listed. "Thomas Aquinas and John of Jandun recognized four internal senses: the common sense, imagination, vis cogitativa, and memory.
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