Search results
Results from the WOW.Com Content Network
I see a lily on thy brow, With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too. I met a lady in the meads, Full beautiful, a fairy's child; Her hair was long, her foot was light, And her eyes were wild. I made a garland for her head, And bracelets too, and fragrant zone; She looked at me as she did love, And made ...
Sonnet 2 begins with a military siege metaphor, something that occurs often in sonnets and poetry — from Virgil (‘he ploughs the brow with furrows’) and Ovid (‘furrows which may plough your body will come already’) to Shakespeare's contemporary, Drayton, “The time-plow’d furrows in thy fairest field.” The image is used here as a ...
Sonnet 131 is a sonnet written by William Shakespeare and was first published in a 1609 quarto edition titled Shakespeare's sonnets. [2] [3] It is a part of the Dark Lady sequence (consisting of sonnets 127–52), which are addressed to an unknown woman usually assumed to possess a dark complexion.
Sonnet 41 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a part of the Fair Youth section of the sonnets addressed to an unnamed young man. While the exact date of the composition is unknown, it was originally published in the 1609 Quarto along with the rest of the sonnets.
Sonnet 60 is an English or Shakespearean sonnet.The Shakespearean sonnet contains three quatrains followed by a final rhyming couplet.It follows the form's typical rhyme, abab cdcd efef gg and is written a type of poetic metre called iambic pentameter based on five pairs of metrically weak/strong syllabic positions.
Sonnet 22 is one of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence. In the sonnet, the speaker of the poem and a young man are represented as enjoying a healthy and positive relationship. The last line, however, hints at the speaker's doubts, which becomes prominent later in ...
3 Thine ointments have a goodly fragrance; thy name is as ointment poured forth; therefore do the maidens love thee. 4 Draw me, we will run after thee; the king hath brought me into his chambers; we will be glad and rejoice in thee, we will find thy love more fragrant than wine! sincerely do they love thee.
Originally composed to be sung by a soprano castrato (and typically sung in modern performances of Serse by a countertenor, contralto or a mezzo-soprano; sometimes even by a tenor or high baritone an octave below), [1] it has been arranged for other voice types and instruments, including solo organ, solo piano, violin or cello and piano, and string ensembles, often under the title "Largo from ...