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Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblock printing was widely adopted in Japan during the Edo period (1603–1868).
Tsukioka Yoshitoshi (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年; 30 April 1839 – 9 June 1892) was a Japanese printmaker. [1]Yoshitoshi has widely been recognized as the last great master of the ukiyo-e genre of woodblock printing and painting.
Geisha playing go, a woodblock print. Kikukawa Eizan (菊川 英山, 1787 – July 17, 1867) was a designer of ukiyo-e style Japanese woodblock prints.He first studied with his father, Eiji, a minor painter of the Kanō school, and subsequently with Suzuki Nanrei (1775–1844), of the Shijō school.
Sukiya Bridge, woodblock print by Un'ichi Hiratsuka by 1945. Un'ichi Hiratsuka (平塚 運一, Hiratsuka Un'ichi, November 17, 1895 – November 18, 1997), born in Matsue, Shimane, was a Japanese woodblock printmaker. He was one of the prominent leaders of the sōsaku hanga ("creative print") movement in 20th century Japan.
Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 8 July 1770) was a Japanese designer of woodblock print art in the ukiyo-e style. He was an innovator, the first to produce full-color prints ( nishiki-e ) in 1765, rendering obsolete the former modes of two- and three-color prints.
Kobayashi Kiyochika (小林 清親, 10 September 1847 – 28 November 1915) was a Japanese ukiyo-e artist, best known for his colour woodblock prints and newspaper illustrations. His work documents the rapid modernization and Westernization Japan underwent during the Meiji period (1868–1912) and employs a sense of light and shade called ...
David Bull (born 11 November 1951) is a Canadian ukiyo-e woodblock printer and carver who heads the Mokuhankan studio in Asakusa, Tokyo. [1] [2] Born in Britain, Bull moved to Canada at the age of 5. He first discovered Japanese woodblocks while working in a music shop in 1980 in Toronto, at 28, and started making his own prints without formal ...
A 17th-century Japanese clock on a stand. The print depicts the proprietress of a bathhouse relaxing on the veranda outside the baths. A female servant attends to her while looking back at a Japanese clock inside. The indicates the evening hour, alluding to the evening gong, and sits upon a tall stand, alluding to the mountain Qingliang Temple ...
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