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In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter: . A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units.
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Measured rhythm (additive rhythm) also calculates each time value as a multiple or fraction of a specified time unit but the accents do not recur regularly within the cycle. Free rhythm is where there is neither, [48] such as in Christian chant, which has a basic pulse but a freer rhythm, like the rhythm of prose compared to that of verse. [17]
Sub-Saharan African rhythm is divisive rhythm. However, perhaps because of their seemingly asymmetric structure, bell patterns are sometimes perceived in an additive rhythmic form. For example, Justin London describes the five-stroke version of the standard pattern as "2-2-3-2-3", [ 39 ] while Godfried Toussaint describes the seven-stroke form ...
Media in category "Rhythm and meter" The following 3 files are in this category, out of 3 total. Nono - Variazioni canoniche, rhythmic values row.png 273 × 81; 2 KB
Ven. Thich Nhat Tu or Thích Nhật Từ (釋日慈) in Vietnamese (Saigon, 1969) is a Vietnamese Buddhist reformer, an author, a poet, a psychological consultant, and an active social activist in Vietnam. [1]
In many regions of Northern Vietnam, the pair /n/ and /l/ have merged into one, they are no longer two opposing phonemes. Some native Vietnamese speakers who lack linguistic knowledge believe that pronouncing the initial consonant of a word whose orthographic form begins with the letter l as /n/ , n as /l/ is nói ngọng . [ 3 ]
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