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Poema en veinte surcos (1938) Canción de la verdad sencilla (1939) El mar y tú: otros poemas (1954) Río Grande de Loíza [8] Poema para Mi Muerte (My Death Poem), Yo Misma Fui Mi Ruta (I Was My Own Path), Alba de Mi Silencio (Dawn of My Silence), Alta Mar y Gaviota
Juana de Ibarbourou was an early Latin American feminist. Ibarbourou's feminism is evident in poems such as "La Higuera", in which she describes a fig tree as more beautiful than the straight and blooming trees around it, and "Como La Primavera", in which she asserts that authenticity is more attractive than any perfume.
Y a mi brujca maniguá. Tú te laj tiraj de blanco ¿Y tu agüela, aonde ejtá? Erej blanquito enchapao Que dentraj en sosiedá, Temiendo que se conojca La mamá de tu mamá. Aquí el que no tiene dinga Tiene mandinga . . ¡ja, ja! Por eso yo te pregunto ¿Y tu agüela, aonde ejtá? Ayé me dijite negro Queriéndome abochoná. Mi agüela sale a ...
Ernestina Michels de Champourcín Morán de Loredo, was born into a Catholic and traditionalist family, [2] [3] which offered her a thorough education (she was taught a range of different languages) as part of an aristocratic and cultured family atmosphere.
He pleaded to her, "Bésame, que me muero," ("Kiss me for I am dying") and she refused, saying "No quiera Dios que yo falte a mi marido," ("God would not wish me to deceive my husband") "Por la pasión de Jesucristo os suplico que busques a otra, que de mi no hagais cuenta. Pues si a Dios no ha complacido, tampoco me complace a mi."
Salomé Ureña Díaz de Henríquez (October 21, 1850 – March 6, 1897) was a Dominican poet and teacher, being one of the central figures of 19th-century lyrical poetry and advocator for women's education in the Dominican Republic, influenced by the positivist schools and the normal education of Eugenio María de Hostos, of whom she was an advantaged student.
She married Enrique Job Reyes on August 14, 1913. Their divorce was finalized on June 5, 1914. A month after that, Reyes fatally shot Agustini twice in the head and afterwards committed suicide.
Virgen a Barcelona para la fundación de la Orden de la Merced y Misericordia (Barcelona: Tipografía de Narciso Ramírez y Rialp, 1862). It is a lyrical-sacred drama, accompanied by the score of Bernardo Calvó Puig.