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İbrahim Özgür (1905–1959), dubbed "The King of Turkish Tango" for his singing and composition, after an earlier successful career in jazz. He began tango recordings in 1938. His nostalgic, "velvet" voice was well-suited for his mournful songs, haunted by his unrequited love for an Indian princess he met during his grand tour of Asia in the ...
Osvaldo Pedro Pugliese (December 2, 1905 – July 25, 1995) [1] was an Argentine tango musician. He developed dramatic arrangements that retained strong elements of the walking beat of salon tango but also heralded the development of concert-style tango music. Some of his music, mostly since the 1950s, is used for theatrical dance performances.
tango Loca Manuel Jovés: Antonio Viergol: tango Los Panchos en Buenos Aires Carlos Gardel Alfredo Le Pera Mar bravio - lobo de mar Guillermo Desiderio Barbieri Guillermo Desiderio Barbieri tango Mi Buenos Aires querido: Carlos Gardel Alfredo Le Pera tango Mi estrella Saúl Salinas Saúl Salinas Mi guitarra Vicente Greco Juan Andrés Caruso
During World War I, the Argentine journalist Tito Livio Foppa was at the German front when, at an official party, a musician played the piano to honor Foppa and attempted to play the national anthem, but in reality the musician played "El choclo", which he mistook for Argentina's patriotic song. [1] Another fundamental tango for which Villoldo ...
Carlos Gardel (born Charles Romuald Gardès; 11 December 1890 – 24 June 1935) was a French-born Argentine singer, songwriter, composer and actor, and the most prominent figure in the history of tango.
La yumba (zhoóm-ba) is a tango created by Osvaldo Pugliese in 1946.. The term yumba - despite its indigenous origin - was not chosen by Pugliese for its etymology but for its onomatopoeic similarity with the profound gasping from a bandoneón - and the resulting mixture of that sound with other orchestra arrangements.
Laura Ana "Tita" Merello (11 October 1904 – 24 December 2002) was an Argentine film actress, tango dancer and singer of the Golden Age of Argentine cinema.In her six decades in Argentine entertainment, at the time of her death, she had filmed over thirty movies, premiered twenty plays, had nine television appearances, completed three radio series and had had countless appearances in print media.
A mí me llaman Juan Tango (with Juan D'Arienzo) (1970) Tango en Caño 14 (with Atilio Stampone and Roberto Goyeneche) (1972) Para vos, Homero (1972) De vuelta a Salta (with Dino Saluzzi) (1973) Pichuco y sus cantores (1973) Raúl Berón y la orquesta de Aníbal Troilo (withRaúl Berón) (1973) Quejas de bandoneón (1974) Bandoneón tierra ...