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The accordion's popularity spread rapidly: it has mostly been associated with the common people, and was propagated by Europeans who emigrated around the world. The accordion in both button and piano forms became a favorite of folk musicians [35] and has been integrated into traditional music styles all over the world: see the list of music ...
The accordion was spread across the globe by the waves of Europeans who emigrated to various parts of the world in the late 19th century and early 20th century. The mid-19th-century accordion became a favorite of folk musicians for several reasons: "The new instrument's popularity [among the common masses] was a result of its unique qualities.
The advent of the accordion is the subject of debate among researchers. Some historians credit Christian Friedrich Ludwig Buschmann as the inventor of the accordion, but most others give the distinction to Cyrill Demian, an Armenian-Romanian from the Transylvanian town of Szamosújvár (ancient Armenopolis) living in Vienna, who patented his accordion in 1829, thus coining the name.
This is a list of articles describing traditional music styles that incorporate the accordion, alphabetized by assumed region of origin.. Note that immigration has affected many styles: e.g. for the South American styles of traditional music, German and Czech immigrants arrived with accordions (usually button boxes) and the new instruments were incorporated into the local traditional music.
This is a list of articles describing popular music acts that incorporate the accordion. The accordion appeared in popular music from the 1900s-1960s. This half century is often called the "Golden Age of the Accordion." Three players: Pietro Frosini, and the two brothers Count Guido Deiro and Pietro Deiro were major influences at this time.
Ernst was the first Schrammel accordion player, who also arranged music for the quartet and wrote a tutorial for his instrument. Within a very short time, this combination of two violins, accordion, and contraguitar was known as "Schrammelquartett"; their music, up to now in Vienna's chamber music tradition, being called Schrammelmusik .
With the help of newspaper ads, Hagström continually found new business opportunities, and he began working with Italian accordion manufacturers to develop an accordion especially designed for the Swedish market. His idea took off, and the demand for the Italian-made Hagström instruments was constantly growing.
After a long and intense period of study (he took up lessons on the trombone, harmony, and counterpoint at the Academy of Music in Nice), at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown.