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Vanity (Italian:Vanità) is a 1947 Italian historical melodrama film directed by Giorgio Pastina and starring Walter Chiari, Liliana Laine and Dina Galli. The film is based on a play by Carlo Bertolazzi. Chiari was awarded a Nastro d'Argento for best debut performance. [1] It was made at the Icet Studios in Milan.
" Tu che le vanità" (French: "Toi qui sus le néant", lit. 'You who knew the emptiness') is an aria for soprano from the first scene of the final act of Verdi 's 1867 opera Don Carlo . It was composed to a French text and later translated into Italian, the language in which it is most well known and most often performed.
Va', che te sia data lanzata catalana o che te sia dato stoccata co na funa, che non se perda lo sango, o che te vangano mille malanne, co l'avanzo e priesa e vento alla vela, che se ne perda la semmenta, guzzo, guitto, figlio de 'ngabellata, mariuolo!" This tirade could be translated from Neapolitan as follows:
The painting portrays an idealized beautiful woman, a model established in the Venetian school by Titian's master Giorgione with his Laura.She holds an oval mirror with a frame, which reflects some jewels and a maid who is searching in a case.
A bonfire of the vanities (Italian: falò delle vanità) is a burning of objects condemned by religious authorities as occasions of sin.The phrase itself usually refers to the bonfire of 7 February 1497, when supporters of the Dominican friar Girolamo Savonarola collected and burned thousands of objects such as cosmetics, art, and books in the public square of Florence, Italy, on the occasion ...
The related term vainglory is now often seen as an archaic synonym for vanity, but originally meant considering one's own capabilities and that God's help was not needed, i.e. unjustified boasting; [2] although glory is now seen as having a predominantly positive meaning, [citation needed] the Latin term from which it derives, gloria, roughly ...
Vanitas by Antonio de Pereda. Vanitas (Latin for 'vanity', in this context meaning pointlessness, or futility, not to be confused with the other definition of vanity) is a genre of memento mori symbolizing the transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires.
Allegory of the Vanities of the World is a 1663 painting by the Flemish painter Pieter Boel, now in the Palais des Beaux-Arts de Lille. [1] It is unusually large for a vanitas painting.