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The violins were its best product, and many are still on the second-hand market. They are considered workmanlike, designed for everyday use, and often sounding better than their construction would indicate. They generally are valued in the range of $200 to $400, with an exception one selling for up to $800. [9]
Had the violins been genuine, their estimated combined sale price would be around €5.2 million (US$6.8 million). Upon viewing the instruments Hargrave said they were not made by Stradivari, and the estimated value for each piece would only be around €2,000-€3,000.
Bell sold his then current Stradivarius, the Tom Taylor, for a little more than two million dollars and purchased the Gibson ex-Huberman for a little under the four million dollar asking price. His first recording with it was Romance of the Violin (on Sony Classical) in 2003. In 2019, the instrument's value increased to an estimated $14 million ...
The Lady Blunt is one of the two best-preserved Stradivarius violins in existence. [7] It has survived, like the Messiah Stradivarius of 1716, in near-original condition, since it has resided mostly in the hands of collectors and seen little use. It was built on the PG form, being a mature golden period violin. The violin also retains its ...
A Stradivarius bow, The King Charles IV Violin Bow attributed to the Stradivari Workshop, is currently in the collection of the National Music Museum Object number: 04882, at the University of South Dakota in Vermillion, South Dakota. The Rawlins Gallery violin bow, NMM 4882, is attributed to the workshop of Antonio Stradivari, Cremona, c. 1700 ...
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Much of the price of a fine violin is determined not just by the quality of the instrument, but by the maker. Names like Amati, Guarneri, and Stradivari have become synonymous with excellence in craftsmanship and tone. Relatively unknown makers, capable of producing above-average violins, know that they might be able to command tremendous ...
The playing ranges of the instruments in the violin family overlap each other, but the tone quality and physical size of each distinguishes them from one another. The ranges are as follows: violin: G 3 to E 7 (practical, notes up to A7 are possible); viola: C 3 to A 6 (conservative); violoncello: C 2 to A 5 (conservative); and double-bass: E 1 to C 5 (slightly expanded from conservative estimate).
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