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The Cool S, also known as the Universal S, the Stüssy S, the Super S, the Pointy S, and the Graffiti S, is a graffiti sign in popular culture and childlore that is typically doodled on children's notebooks or graffitied on walls. The exact origin of the Cool S is unknown, [1] but it became prevalent around the early 1970s as a part of graffiti ...
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A hollow throw up using the letters SPLEEN. Note the consistency in letter form and height. Throw ups, [a] or throwies, are a form of graffiti that fall between tags and pieces in complexity. [1] The name comes from the way they are designed to be "thrown" onto a surface as quickly as possible. They are almost always done with aerosol paint. [2]
Some graffiti characters evolve from drawing faces inside letters, which then develop into more complex characters. [9] Characters may be used as substitutes for individual letters. [ 5 ] [ 10 ] There is usually a clear connection between a writers handstyle and the way they draw their character(s).
Complex and elaborate graffiti writing had previously been known by various names such as "mechanical letters" and "bubble letters". Its first instances were generated as early as 1970, by prominent writers like RIF, Phase 2, and Stan 153 and the crews that they founded in the early 1970s centered around Manhattan subway lines and surrounds.
The puffed-out, marshmallow-like letters drawn by Phase 2 were soon copied by other artists who added their own variations. Phase 2 quickly embellished on his original form, creating and naming dozens of varieties of softies, such as "phasemagorical phantastic" (bubble letters with stars), "bubble cloud", and "bubble drip". [7]
[2] [3] Bubble lettering was popular among perpetrators from the Bronx, but was replaced with a new "wildstyle", a term coined by Tracy 168 and a legendary original Graffiti crew with over 500 members including Blade, QUIK, Cope 2, T Kid 170, Cap, Juice 177, and Dan Plasma. [4] [5] Graffiti tags started to grow in style and size. [3]
Images composed of simple shapes, lines, and letters such as those below should be recreated using vector graphics as an SVG file. These have a number of advantages, such as making it easier for subsequent editors to edit them, enabling arbitrary scaling at high quality, and sharp high-resolution renderings for print versions.
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