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The roots of the classical philosophy of love go back to Plato's Symposium. [3] Plato's Symposium digs deeper into the idea of love and bringing different interpretations and points of view in order to define love. [4] Plato singles out three main threads of love that have continued to influence the philosophies of love that followed.
Epicurus was not an atheist, although he rejected the idea of a god concerned with human affairs; followers of Epicureanism denied the idea that there was no god. While the conception of a supreme, happy and blessed god was the most popular during his time, Epicurus rejected such a notion, as he considered it too heavy a burden for a god to have to worry about all the problems in the world.
Ren relies heavily on the relationships between two people, but at the same time encompasses much more than that. It represents an inner development towards an altruistic goal, while simultaneously realizing that one is never alone, and that everyone has these relationships to fall back on, being a member of a family, the state, the world, and ...
Adveṣa and maitrī are benevolent love. This love is unconditional and requires considerable self-acceptance. This love is unconditional and requires considerable self-acceptance. This is quite different from common conceptions of love which are often confused with attachment and sexual desire, and can be self-interested.
[4]: 31 Cultural norms regarding the experience of love vary so that the emphasis in relationships is on sexual attraction, romantic courtship, intimate friendship, or commitment. Although love can be the motive for some people's actions and bring people joy, love can also bring us sadness. "Love does us no good if we love the wrong person."
Good is a broad concept often associated with life, charity, continuity, happiness, love, or justice. Evil is often associated with conscious and deliberate wrongdoing, discrimination designed to harm others, humiliation of people designed to diminish their psychological needs and dignity, destructiveness, and acts of unnecessary or ...
Dystheism as a concept, although often not labeled as such, has been referred to in many aspects of popular culture.As stated before, related ideas date back many decades, with the Victorian era figure Algernon Charles Swinburne writing in his work Anactoria about the ancient Greek poet Sappho and her lover Anactoria in explicitly dystheistic imagery that includes cannibalism and sadomasochism.
[Plutarch] speaks of ‘great and strong beings in the atmosphere, malevolent and morose, who rejoice in [unlucky days, religious festivals involving violence against the self, etc.], and after gaining them as their lot, they turn to nothing worse.’ ...