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In Saxony, a black wolf rampant on a yellow shield features on the crest of von Wolfersdorf family. A green wolf grasping a dead swan in its jaws on a yellow shield is depicted on the crest and Arms of the Counts von Brandenstein-Zeppelin. In Italian heraldry, the attributed arms of Romulus and Remus were said to depict the Capitoline Wolf. An ...
The Slavic languages share a term for "werewolf" derived from the Common Slavic vuko-dlak, meaning "wolf-furr". The wolf as a mythological creature plays an important role in Balkan and Serbian mythology and cults. [34] [35] In the Slavic and old Serbian religion and mythology, the wolf was used as a totem. [36]
The Irish words for wolf are Mac Tíre ("son of the land"), Faoil and Cú Allaidh ("wild dog"), [4] and association with human transformation linger. Whilst some consider this to be imported, [5] there are many references in Irish mythology to lycanthropes and changing to other animal forms. [6] The last wolf in Ireland was killed near Mount ...
The male wolf pulls down the wolf skin of the female, revealing an elderly human female underneath, to reassure the priest that he is not committing blasphemy. After the priest has given communion to the woman/she-wolf, the male wolf leads him out of the woods and gives him a number of prophesies about the future of Ireland and its English ...
It follows from such description that the enfield, being compounded of the fox, eagle, and wolf, indicated that he, by whom it was borne, was reputed to possess the subtlety and cunning of the first named beast; the magnanimity and fortitude, with the honour, labor, industry, and diligence, in great manners, of the eagle; and the fierceness of ...
Wolfsangel (German pronunciation: [ˈvɔlfsˌʔaŋəl], translation "wolf's hook") or Crampon (French pronunciation: [kʁɑ̃pɔ̃]) is a heraldic charge from mainly Germany and eastern France, which was inspired by medieval European wolf traps that consisted of a Z-shaped metal hook (called the Wolfsangel, or the crampon in French) that was hung by a chain from a crescent-shaped metal bar ...
Metalwork stands out in Celtiberian archaeological finds, partly from its indestructible nature, emphasizing Celtiberian articles of warlike uses, horse trappings and prestige weapons. The two-edged sword adopted by the Romans was previously in use among the Celtiberians, and Latin lancea, a thrown spear, was a Hispanic word, according to Varro ...
The Celtic god Sucellus. Though the Celtic world at its height covered much of western and central Europe, it was not politically unified, nor was there any substantial central source of cultural influence or homogeneity; as a result, there was a great deal of variation in local practices of Celtic religion (although certain motifs, for example, the god Lugh, appear to have diffused throughout ...