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A Room of One's Own is an extended essay by Virginia Woolf, first published in September 1929. [1] The work is based on two lectures Woolf delivered in October 1928 at Newnham College and Girton College, women's colleges at the University of Cambridge. [2] [3]
Though at least one biography of Virginia Woolf appeared in her lifetime, the first authoritative study of her life was published in 1972 by her nephew Quentin Bell. Hermione Lee's 1996 biography Virginia Woolf [175] provides a thorough and authoritative examination of Woolf's life and work, which she discussed in an interview in 1997. [176]
Although Three Guineas is a work of non-fiction, it was initially conceived as a "novel–essay" which would tie up the loose ends left in her earlier work, A Room of One's Own. [1] The book was to alternate between fictive narrative chapters and non-fiction essay chapters, demonstrating Woolf's views on war and women in both types of writing ...
In 1920, women won the right to vote with the adoption of the 19th Amendment to the U.S. Constitution. In 1929, English writer Virginia Woolf published her landmark essay, A Room of One’s Own ...
Mary can be considered an example of the ideal Virginia Woolf detailed in A Room of One's Own, "Professions for Women" (one essay in The Death of the Moth and Other Essays, Harcourt, 1942, pp. 236–8), and other feminist essays. Mary's romantic life is short-lived and unsuccessful.
Jane de Gay is a British academic and lecturer who has earned an international reputation as an expert on the life and works of Virginia Woolf. de Gay's works on Woolf include a series of articles and a 2006 book, Virginia Woolf's Novels and the Literary Past, published by Edinburgh University Press.
'Cocktails With George and Martha' examines what it means to live as husband and wife, and how 'Who's Afraid of Virginia Woolf?' kicked down staid cultural depictions of marriage.
The Hours concerns three generations of questionably lesbian or bisexual women. [1] Virginia Woolf was known to have affairs with women; Laura Brown kisses Kitty in her kitchen; and Clarissa Vaughan, who was previously Richard's lover, is in a relationship with Sally. Peripheral characters also exhibit a variety of sexual orientations.