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"Nightshift" is a 1985 song by the Commodores and the title track from their album of the same name. The song was written by lead singer Walter Orange in collaboration with Dennis Lambert and Franne Golde as a tribute to soul/R&B singers Jackie Wilson and Marvin Gaye, both of whom died in 1984.
With a 4 out of 5 stars rating, Paul Sexton of Record Mirror described the album as "a really remarkable renaissance." [4]Liam Lacey of the Globe and Mail said "The Commodores' latest holds up impressively throughout, and the presence of new lead vocalist J. D. Nicholas is a welcome, if not startling, change."
"That's What Friends Are For" is a song written by Burt Bacharach and Carole Bayer Sager. It was first recorded in 1975 by The Stylistics, then covered by Rod Stewart in 1982 for the soundtrack of the film Night Shift, but it is best known for the 1985 version by Dionne Warwick, [1] Elton John, Gladys Knight, and Stevie Wonder.
Prices for Rock Band Networks songs were set by the parties involved with authoring and submitting the song, and could be set at either 80, 160 or 240 Microsoft Points ($1, 2, or 3, respectively.) [1] The artist retained 30% of this cost, with the remaining 70% of each sale split between Harmonix and Microsoft (although the exact ratios of that distribution are unknown).
"Nightshift" (song), from the album "Night Shift" (Jon Pardi song), 2016 "Night Shift" (Lucy Dacus song), 2017; The Night Shift (concert), a concert series by the Orchestra of the Age of Enlightenment; Night Shift, a 2007 album by Danish band Turboweekend "Night Shift", a 1976 song by Bob Marley & The Wailers from Rastaman Vibration
Kate Hudson and Hugh Jackman are taking the stage in a new musical drama film.. The duo are set to star in Song Sung Blue as Claire and Mike and Claire Sardina, a real-life married couple from ...
"Night Shift" was released to critical acclaim. Andrew Marantz of The New Yorker described it as "a cathartic, bridge-burning, no-fucks-given breakup song." [5] Julien Luebbers of The Spokesman-Review wrote that the song was "a vibrant example of linear construction, the song building from soft guitar and vocals to headbanging passion and some seriously impressive singing," [6] and Layla ...
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