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The Birds (Italian: Gli uccelli) is a suite for small orchestra by the Italian composer Ottorino Respighi. Dating from 1928, the work is based on music from the 17th and 18th century [ 1 ] and represents an attempt to transcribe birdsong into musical notation, and illustrate bird actions, such as fluttering wings, or scratching feet.
Most bird sounds for BirdNote are provided by the Macaulay Library of the Cornell Laboratory of Ornithology.Writers have included Dennis Paulson, [3] Curator Emeritus of The Slater Museum of Natural History at the University of Puget Sound, [4] the late Robert Sundstrom, birding-by-ear expert with the Seattle Audubon Society, Francis Wood, and other writers and naturalists.
Musicologists such as Matthew Head and Suzannah Clark believe that birdsong has had a large though admittedly unquantifiable influence on the development of music. [2] [3] Birdsong has influenced composers in several ways: they can be inspired by birdsong; [4] they can intentionally imitate bird song in a composition; [4] they can incorporate recordings of birds into their works; [5] or they ...
Oiseaux exotiques (Exotic birds) is a piece for piano and small orchestra by Olivier Messiaen. It was written between 5 October 1953 and 3 January 1956 and was commissioned by Pierre Boulez . It is dedicated to the pianist Yvonne Loriod , who later became the composer's wife.
Catalogue d'oiseaux ("Catalogue of birds") is a work for piano solo by Olivier Messiaen consisting of thirteen pieces, written between October 1956 and September 1958. It is devoted to birds and dedicated to his second wife Yvonne Loriod .
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Bird vocalization includes both bird calls and bird songs. In non-technical use, bird songs (often simply birdsong ) are the bird sounds that are melodious to the human ear. In ornithology and birding , songs (relatively complex vocalizations) are distinguished by function from calls (relatively simple vocalizations).
The notes taken by Georg Nikolaus von Nissen (the second husband of Mozart's wife Constanze) for purposes of writing his biography of the composer described the ceremonies thus: When a bird died, he arranged a funeral procession, in which everyone who could sing had to join in, heavily veiled – made a sort of requiem, epitaph in verse.