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100 musicians took a part in the poll. [2] Although the names of the musicians were not stated, it was stated that former and current members of Riblja Čorba, Bijelo Dugme, Smak, YU Grupa, Leb i Sol, Vatreni Poljubac, Indijanci, Zbogom Brus Li, Čovek Bez Sluha, Atheist Rap, Kerber, Prljavi Inspektor Blaža i Kljunovi, Sunshine, Oktobar 1864, Goblini, Lutajuća Srca, Novembar, Galija, Siluete ...
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His popularity led to the release of his album Muzika za igru in 1959, the first popular music solo album released by PGP-RTB, the biggest Serbian record label. [4] In 1963, Marjanović went on his first Soviet Union tour, where he soon became very popular, and had gone on more than thirty Soviet Union tours since.
Van Gogh (Serbian: Ван Гог / Van Gog) is a Serbian and former Yugoslav rock band from Belgrade.. The band was formed in 1986, and released their debut alternative rock-oriented self-titled album during the same year.
The Serbian folk music is both rural (izvorna muzika) and urban (starogradska muzika) and includes a two-beat dance called kolo, which is a circle dance with almost no movement above the waist, accompanied by instrumental music made most often with an accordion, but also with other instruments: frula (traditional kind of a recorder), tamburica ...
The book YU 100: najbolji albumi jugoslovenske rok i pop muzike (YU 100: The Best albums of Yugoslav pop and rock music), published in 1998, features eight Riblja Čorba albums: Kost u grlu (polled No. 16), Mrtva priroda (polled No. 19), Pokvarena mašta i prljave strasti (polled No. 23), Istina (polled No. 43), Buvlja pijaca (polled No. 64 ...
Besides his long career in Yugoslavia, he made significant career performing in Soviet Union. He released 5 albums between 1959 and 1982: Muzika za igru (1959), Mustafa (1961), Prijatelji Zdravo (1967), Hvala vam prijatelji (1979) and Dvadeset nikad više (1982). Mihailo Živanović (first left) and world-renowned clarinetist Tony Scott (first ...
Turbo-folk is a subgenre of contemporary South Slavic pop music that initially developed in Serbia during the 1990s as a fusion of techno and folk.The term was an invention of the Montenegrin singer Rambo Amadeus, who jokingly described the aggressive, satirical style of music as "turbo folk".