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[2] [6]: 58–59 This contrasts with the work-relief mission of the Federal Art Project (1935–1943) of the Works Progress Administration, the largest of the New Deal art projects. So great was its scope and cultural impact that the term "WPA" is often mistakenly used to describe all New Deal art, including the U.S. post office murals.
The Federal Art Project (1935–1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects.
[6]: 58–59 [7] This contrasts with the work-relief mission of the Federal Art Project (1935–1943) of the Works Progress Administration, the largest of the New Deal art projects. So great was its scope and cultural impact that the term "WPA" is often mistakenly used to describe all New Deal art, including the U.S. post office murals.
The Federal Art Project (1935–1943) of the Works Progress Administration was the largest of the New Deal art projects. [1] As many as 10,000 artists [ 2 ] were employed to create murals, easel paintings, sculpture, graphic art, posters, photography, Index of American Design documentation, theatre scenic design , and arts and crafts. [ 3 ]
The short-lived Public Works of Art Project was a prototype for later federal art programs, including the Federal Art Project of the Works Progress Administration (WPA). Subsequent visual art programs administered by the Treasury Department were the Section of Painting and Sculpture and the Treasury Relief Art Project, both of which employed ...
Many of Coleman's WPA paintings depicted scenes and seascapes from 1920s and 1930s Cape Cod and are inside local public buildings such as the Barnstable Town Hall, Pope John Paul II High School, the Center for Creative Arts, the Centerville Recreation Building, and the Osterville Historical Society Boat House. [3]
Like the Works Progress Administration (WPA), the Section was part of a government project aimed at providing work for Americans throughout the Great Depression during the 1930s. The Section's main function was to select high-quality art to decorate public buildings in the form of murals, making art accessible to all people. Because post ...
Study for Mining (1942), Lenson's mural for the post office in Mount Hope, West Virginia, commissioned by the Section of Painting and Sculpture. Michael Lenson was born as Michael Levenson in Galich, Russia, on February 21, 1903, and emigrated to the United States in 1911.
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