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Expulsion from Paradise, painting by James Tissot (c. 1896–1902) The Expulsion illustrated in the English Junius manuscript, c. 1000 CE. The second part of the Genesis creation narrative, Genesis 2:4–3:24, opens with YHWH-Elohim (translated here "the Lord God") [a] creating the first man (), whom he placed in a garden that he planted "eastward in Eden": [22]
Located in the southern part of the Teutonic Knights' state, Toruń became a great artistic centre in the 14th century. The patronage over the art was taken by the growing bourgeois class, which commissioned an unknown artist, described in literature as the Master of the Beautiful Madonna of Toruń, to create a monumental statue of the Mother and Child around 1390 probably for the Franciscan ...
Our Lady of La Leche (Spanish: Nuestra Señora de La Leche y Buen Parto; "Our Lady of the Milk and Good Delivery") is a Catholic title of the Blessed Virgin Mary associated with a statue of her breastfeeding the infant Jesus Christ. [1] It is said to be one of the oldest of all Marian devotions. [2]
The callous creep used a rock from the parish garden to "repeatedly strike the statue, causing damage to the face, side, and hands of the Blessed Mother statue."
The National Sanctuary of our Sorrowful Mother, popularly known as The Grotto, is a Catholic outdoor altar and sanctuary located in the Madison South district of Portland, Oregon, United States. Constructed in 1924, the sanctuary covers 62 acres (25 ha), [ 2 ] set both at the foot of, and atop, a 110 foot (34 m) cliff.
The statue is dated around the year 980 [2] and was thus created during the tenure of Mathilde, a granddaughter of Emperor Otto I, as abbess of Essen Abbey.Under her reign and those of her successors Sophia of Gandersheim (1012–1039) and Theophanu (1039–1058), the abbey acquired what is today considered the most precious of the works of art of the Essen treasury.
An enamel plaque on the processional Cross of Mathilde, showing an image of the donor together with Mary, Seat of Wisdom. This type of Madonna image is based on the Byzantine prototype of the Chora tou Achoretou ("Container of the Uncontainable"), [5] an epithet mentioned in the Acathist Hymn and present in the Greek East by the early 11th century, when the Byzantine-inspired enamels were made ...
Stained glass window of Jesus leaving his mother, in a Lutheran church in South Carolina. Protestants in general reject the veneration and invocation of the Saints. [19]: 1174 They share the belief that Mary is the mother of Jesus and "blessed among women" (Luke 1:42) [173] but they
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