Search results
Results from the WOW.Com Content Network
Clairvoyance (/ k l ɛər ˈ v ɔɪ. ə n s /; from French clair 'clear' and voyance 'vision') is the claimed ability to acquire information that would be considered impossible to get through scientifically proven sensations, thus classified as extrasensory perception, or "sixth sense".
Curse – Any expressed wish that some form of adversity or misfortune will befall or attach to one or more persons, a place, or an object. Energy medicine – The ability to heal with empathic, etheric, astral, mental or spiritual energy. [3] Ergokinesis – The ability to influence the movement of energy, such as electricity, without direct ...
Evidence of Cayce's reported clairvoyance was derived from newspaper articles, affidavits, anecdotes, testimonials and books, rather than empirical evidence which can be independently evaluated. Martin Gardner wrote that the "verified" claims and descriptions from Cayce's trances can be traced to ideas in books he had been reading by authors ...
For premium support please call: 800-290-4726 more ways to reach us
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
Tiresias is a ballet choreographed by Frederick Ashton to music by Constant Lambert first performed at the Royal Opera House Covent Garden, London, on 9 July 1951. [ 31 ] " The Cinema Show ", a song by the British progressive rock band Genesis from the 1973 album Selling England by the Pound refers to Tiresias's sex change experience: "I have ...
The Clairvoyant (US title: The Evil Mind) is a 1935 [1] British drama film directed by Maurice Elvey and starring Claude Rains, Fay Wray, and Jane Baxter. Based on the novel of the same name by Ernst Lothar, it was made at Islington Studios. [2] The film's sets were designed by the German art director Alfred Junge.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).