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Sumi-e painter Sesshū Tōyō: 1420–1506 Associated with Sumi-e: Shingei: 1431–1485 Also known as Geiami, yamato-e ink painter Soami: d. 1525 Painter and landscape artist; one of the first nanga painters Yosa Buson: 1716–1784 Painter who perfected the nanga style, also a renowned poet Ike no Taiga: 1723–1776 Painter who perfected the ...
Sumizuri-e Print by Nishikawa Sukenobu. Sumizuri-e is a type of monochromatic woodblock printing that uses only black ink. It is one of the earliest forms of Japanese woodblock printing, dating back to the Nara period (710 – 794). Sumi-e translates to “ink wash painting,” which is a type of East Asian brush painting technique that uses ...
Koho Yamamoto (born April 14, 1922) is an American artist known for her artistry in Sumi-e, a style of Japanese brushwork using black ink. She is also a poet, calligrapher , and a teacher. [ 1 ] [ 2 ] She uses her experiences from the American concentration camps to create beautiful abstract art.
To create his monochrome paintings in diluted greys and black ink, Sesshū used black sumi, meaning charcoal or soot-based solid ink on paper or silk, thus following the art of sumi-e [8] Some of Sesshū's most acclaimed works include Winter Landscape (c. 1470s), Four Landscape Scrolls of the Seasons (c. 1420 – 1506) and, Birds and Flowers (c ...
Michael Hofmann is an artist and teacher. He has been an active sumi-e painter since moving from the United States to Japan in 1972. For 33 years Hofmann worked closely with Jikihara Gyokusei [] (1904-2005), the prominent sumi-e painter, Abbot of Kokusei-ji Temple, Awajishima and Director of Japan's National Association of Nanga Painters.
Landscape painting and landscape gardening were closely related and practiced by intellectuals, the literati inspired by Chinese culture. A primary design principle was the creation of a landscape based on, or at least greatly influenced by, the three-dimensional monochrome ink (sumi) landscape painting, sumi-e or suiboku-ga.
[4] [5] This list contains 166 paintings from 7th-century Asuka period to the early modern 19th-century Edo period. In fact the number of paintings presented is more than 166, because in some cases groups of related paintings are combined to form a single entry. The paintings listed show Buddhist themes, landscapes, portraits and court scenes ...
The work is a development of suibokuga (水墨画, ink-wash paintings) made with Chinese ink (墨, sumi), using dark and light shades on a silk or paper medium.It combines naturalistic Chinese ideas of ink painting by Muqi Fachang (Chinese: 牧溪法常; pinyin: Mu-ch'i Fa-ch'ang) with themes from the Japanese yamato-e (大和絵) landscape tradition, influenced by the "splashed ink" (溌墨 ...
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