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"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
Both in composition and in publication, the poem had a chequered history. In its canonical form, it is composed of 419 lines of heroic couplets . [ 4 ] The Epistle to Dr. Arbuthnot is notable as the source of the phrase " damn with faint praise ," which has subsequently seen so much common usage that it has become a cliché or idiom .
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Following Horace Davis, Stephen Booth notes the similarity of this poem in theme and imagery to Sonnet 120. Gerald Massey finds an analogue to lines 7–8 in The Faerie Queene , 2.1.20. In 1768, Edward Capell altered line ten by replacing the word "loss" with the word "cross".
Sonnet 94 forms part of the "Fair Youth" sequence, where in sonnets 87-96 the Youth is seen as potentially fickle and unreliable. In 90-93 the Youth seems ready to abandon the poet and forget past promises; it is possible that some act or failure to act, or some statement, in the real-life circle of the Youth's admirers has convinced the poet that his beloved is one of those who moves others ...
I Shall Not Be Moved is Maya Angelou's fifth volume of poetry. She studied and began writing poetry at a young age. [1] After her rape at the age of seven, as recounted in her first autobiography I Know Why the Caged Bird Sings (1969), she dealt with her trauma by memorizing and reciting great works of literature, including poetry, which helped bring her out of her self-imposed muteness.
Don’t lie to them, if you can help it. You try to stay out of the hospital. If you’re a drunk, like me, you quit drinking. You tell them you’ll try to do better, and then you try to do better. You pray every night for some unknown power to make you a little less selfish. One thing you don’t do is kill yourself.
Yet I forgive you, even though you steal the little that I have, and even though it is well known that an injury inflicted by a supposed lover is far worse than an insult from an enemy. Oh lustful grace (i.e., the beloved), in whom everything bad is made to look good, even if you kill me with these wrongs against me, I will not be your enemy.