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The Postmodernism Generator is a computer program that automatically produces "close imitations" of postmodernist writing. It was written in 1996 by Andrew C. Bulhak of Monash University using the Dada Engine, a system for generating random text from recursive grammars. [1] A free version is also hosted online.
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(The term "quote generator" can also be used for software that randomly selects real quotations.) Further to its esoteric interest, a discussion of parody generation as a useful technique for measuring the success of grammatical inferencing systems is included, along with suggestions for its practical application in areas of language modeling ...
This is a category of articles relating to software which can be freely used, copied, studied, modified, and redistributed by everyone that obtains a copy: "free software" or "open source software". Typically, this means software which is distributed with a free software license , and whose source code is available to anyone who receives a copy ...
Supports text components of macOS. Proprietary: Scintilla (software) Used as the core of several text editors. HPND: sed (stream editor) The standard Unix stream editor based on the scripting features in ed. A utility that parses and transforms text, using a simple, compact programming language. Free software: Text Processing Utility (TPU)
Two alternatives which Stallman does accept are software libre and unfettered software, but free software is the term he asks people to use in English. For similar reasons, he argues for the term proprietary software or non-free software rather than closed-source software, when referring to software that is not free software.
A story generator or plot generator is a tool that generates basic narratives or plot ideas. The generator could be in the form of a computer program, a chart with multiple columns, a book composed of panels that flip independently of one another, or a set of several adjacent reels that spin independently of one another, allowing a user to select elements of a narrative plot.
Glaser, the founder of Push Pin Studios, also developed the loose psychedelic graphic design, seen for example in his seminal 1966 poster illustration of Bob Dylan with paisley hair. [34] It was the posters by pop artist Peter Max , with their vivid fluid designs painted in Day-Glo colors, which became visual icons of flower power. [ 35 ]