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Aphrodite (/ ˌ æ f r ə ˈ d aɪ t iː / ⓘ, AF-rə-DY-tee) [a] is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, procreation, and as her syncretized Roman counterpart Venus, desire, sex, fertility, prosperity, and victory. Aphrodite's major symbols include seashells, myrtles, roses, doves
The trunk seems like that of a palm tree, but at the top of the trunk is a feature that looks rather like a large almond nut, with the pits of its shell clearly shown. Interestingly, three main branches come from each side of the trunk, and the other two flowering shoots and two minor budding shoots (or shoots with small almond nuts) come from ...
Sandro Botticelli, Uffizi Gallery, Florence 1484–1486 Nicolas Poussin, 1635–36, Philadelphia. Through the desire of Renaissance artists reading Pliny to emulate Apelles, and if possible, to outdo him, Venus Anadyomene was taken up again in the 15th century: besides Botticelli's famous The Birth of Venus (Uffizi Gallery, Florence), another early Venus Anadyomene is the bas-relief by Antonio ...
In Hesiod's Theogony, Eros and Himeros were present at Aphrodite's birth and escorted the goddess as she emerged out of the sea foam and joined the assembly of the gods. [ 1 ] [ 2 ] Earlier in Theogony, Himeros is mentioned as a resident of Mount Olympus , being a neighbor of the Muses and the Charites . [ 3 ]
Although Aphrodite assisted Melanion into tricking Atalanta into marrying him, Melanion did not thank her properly. So, when the couple was near a temple of either Zeus or Rhea/Cybele, Aphrodite inspired great passion for each other in them, leading them to couple inside the holy temple. The offended deity, in fury, turned them both into lions.
Pygmalion and Galatea (French: Pygmalion et Galatée) is an 1890 painting by the French artist Jean-Léon Gérôme. [1] The motif is taken from Ovid's Metamorphoses and depicts the sculptor Pygmalion kissing his statue Galatea at the moment the goddess Aphrodite brings her to life.
A small marble Crouching Aphrodite of the 1st century BCE, discovered in Rhodes and conserved in the Rhodes Archaeological Museum, is a variant of the pose in which – instead of attempting to cover up modestly – Venus lifts her hair in her fingers to dry it, looks out at the viewer and openly displays her breasts. [11]
Copy of a Hellenistic Aphrodite Kallipygos at The Hermitage in St. Petersburg.. Anasyrma (Ancient Greek: ἀνάσυρμα) composed of ἀνά ana "up, against, back", and σύρμα syrma "a dragging motion"; plural: anasyrmata (ἀνασύρματα), also called anasyrmos (ἀνασυρμός), [1] is the gesture of lifting the skirt or kilt.