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All formats of the reissue featured the B-side "We Are Broken", an early version of the song "Broken" which would later appear on Tears for Fears' second album Songs from the Big Chair. Aided by aggressive promotion and the duo's coinciding British concerts (at many of which the song was played twice), "Pale Shelter" finally became a chart ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
Pages for logged out editors learn more. Contributions; Talk; We Are Broken
The production contains acoustic guitar, background vocals, synth pads and piano chords. The lyrics are about a partner helping another manage their heartbreak. [2]
In 1970, the music group The Doors performed an impromptu version live in Chicago, with vocalist Jim Morrison changing the lyrics to "oh, the circle has been broken, me oh my Lord, me oh my." [5] In 1988, Spacemen 3 released a version of the song titled "May The Circle Be Unbroken" as one of the B-sides on their single "Revolution". Aside from ...
In an interview with Consequence the band talked about the song saying "Broken Bells is about losing our primal innocence as we face the world. When we are brought in to this life, the soul is perfect. But when faced with the tribulations of our man-made society, the self becomes damaged working within the confines of such." [6]
"Broken" is a song by American alternative band Lifehouse. It is the third single released from their fourth studio album, Who We Are (2007). Lead singer Jason Wade was inspired to write the song after he visited a friend in Nashville who needed a kidney transplant.
"The Way We Make a Broken Heart" is a song written by John Hiatt. It was recorded by Ry Cooder in 1980 on his album Borderline. "The Way We Make a Broken Heart" was covered by both John Hiatt and Rosanne Cash in 1983 as a duet. The single was produced by Scott Mathews and Ron Nagle, however, Geffen Records did not release the single.