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Sonnet 64 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form, abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
Sonnet 109 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
The 13th line has a mid-line reversal ("hear this"): × / × / / × × / × / For fear of which, hear this thou age unbred: (104.13) This is a metrical variation that is more commonly encountered at the beginning of the line, and there is one definite (line 10) and several potential (lines 3, 4, 9, 11, and 14) examples of initial reversals in ...
Line 8, the next vague line, has received even more varied interpretations. Dowden has it "Deceive yourself by an unlawful union while you refuse lawful wedlock"; Beeching has it "by taking in willfulness my mistress whom you yet do not love"; Lee says "'What thou refusest is that lascivious indulgence which in reality thou disdainest."
Shakespeare uses a metaphor from the theatre to express the idea of the speaker's impotence in performing the "ceremony of love’s right" (line 6). Instead, the lover must read beyond such a performance, and read “between the lines” to understand the poet's love, as it is expressed in the silences between the words.
This theory states that the Earl, one of Shakespeare's patrons, became the subject of Shakespeare's love, and the majority of the Sonnets are addressed to him. More specifically, Sonnet 105 occupies a group of sonnets within the Fair Youth sequence, from 97 to 105, that seem to indicate happiness at the return of Shakespeare's love, the ...
Sonnet 72 continues after Sonnet 71, with a plea by the poet to be forgotten.The poem avoids drowning in self-pity and exaggerated modesty by mixing in touches of irony. The first quatrain presents an image of the poet as dead and not worth remembering, and suggests an ironic reversal of roles with the idea of the young man reciting words to express his love for the poe
Gurr says in his work “Shakespeare's First Poem: Sonnet 145” that Shakespeare wrote this poem in 1582, making Shakespeare only 18. "The only explanation that makes much sense is that the play on 'hate' and throwing 'hate away' by adding an ending was meant to be read by a lady whose surname was Hathaway" (223).