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The Spiritual Canticle (Spanish: Cántico Espiritual) is one of the poetic works of the Spanish mystical poet Saint John of the Cross.. Saint John of the Cross, a Carmelite friar and priest during the Counter-Reformation, was arrested and jailed by the Calced Carmelites in 1577 at the Carmelite Monastery of Toledo because of his close association with Saint Teresa of Ávila in the Discalced ...
The Pasyón (Spanish: Pasión) is a Philippine epic narrative of the life of Jesus Christ, focused on his Passion, Death, and Resurrection.In stanzas of five lines of eight syllables each, the standard elements of epic poetry are interwoven with a colourful, dramatic theme.
The dedicatory poems to King James the First, prefacing Joshua Sylvester’s 1604 translation of a Christian epic by Du Bartas, occupy a position midway between Pagan and Christian. They are arranged as altar shapes centred upon each of the Classical Muses , but chiefly their names are only used as markers of the various aspects of the poem ...
Twentieth and 21st century Christian poetry especially suffers from a difficulty of definition. The writings of a Christian poet are not necessarily classified as Christian poetry nor are writings of secular poets dealing with Christian material. The themes of poetry are necessarily hard to pin down, and what some see as a Christian theme or ...
Beforehand, poems were written in Midrash. This change was a result of the commitment the Arabs had to the Koran. Tempos and secular topics were now prevalent in Hebrew poetry. However, these poems were only reflections of events seen by the Jews and not of ones practiced themselves. [7] The Alhambra Poets: Ibn al-Yayyab; Ibn Zamrak; Ibn al-Khatib
The employment of unusual forms of language cannot be considered as a sign of ancient Hebrew poetry. In Genesis 9:25–27 and elsewhere the form lamo occurs. But this form, which represents partly lahem and partly lo, has many counterparts in Hebrew grammar, as, for example, kemo instead of ke-; [2] or -emo = "them"; [3] or -emo = "their"; [4] or elemo = "to them" [5] —forms found in ...
It is the verse form of the learned poets, usually clerics (hence the name 'clerecía'). The poetry was formal, with carefully counted syllables in each line. Popular themes were Christian legends, lives of saints and tales from classical antiquity. The poems were recited to villagers in public plazas.
In modern Spanish the title might be rendered El Poema de mi Señor or El Poema de mi Jefe. The expression cantar (literally "to sing") was used to mean a chant or a song. The word Cid (Çid in old Spanish orthography), was a derivation of the dialectal Arabic word سيد sîdi or sayyid, which means lord or master.