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Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, [1] largely associated with Great Britain and the United States [2] [3] [4] but that also includes examples from many countries. As a trend, "land art" expanded boundaries of art by the materials used and the siting ...
C. California Spring (painting) Camel (in Rhythmic Landscape with Trees) Capriccio (art) Cass (painting) The Castle of Muiden in Winter; Cemetery, New Mexico (Marsden Hartley)
Different techniques can be used to create physical texture, which allows qualities of visual art to be seen and felt. This can include surfaces such as metal, sand, and wood. Optical texture is when the illusion of physical texture is created. Photography, paintings, and drawings use visual texture to create a more realistic appearance. [5]
Northern Song landscape painting differs from Southern Song painting because of its paradigm shift in representation. If Southern Song period landscape painting is said to be looking inward, Northern Song painting is reaching outward. During the Northern Song period, the rulers' goal is to consolidate and extend the elites value across the society.
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Albrecht Altdorfer produced the very first pure landscapes in the history of European art. [1] Only five surviving landscape paintings are generally accepted to have been painted by Altdorfer. [2] Two of them, one in Munich (30.5 × 22.2 cm) and one in London (41.2 × 35.5 cm), were painted in oils on parchment glued on wood.