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Nazi architecture is the architecture promoted by Adolf Hitler and the Nazi regime from 1933 until its fall in 1945, connected with urban planning in Nazi Germany. It is characterized by three forms: a stripped neoclassicism, typified by the designs of Albert Speer; a vernacular style that drew inspiration from traditional rural architecture ...
Fascist architecture in the form of Rationalism with elements of classical Roman architecture was born under dictator Benito Mussolini's rule of Italy from 1922 to 1943. Mussolini invested in public construction projects in order to foster economic development, to gain popular support and modernize the country.
Art of Nazi Germany was characterized by a style of Romantic realism based on classical models. While banning modern styles as degenerate, the Nazis promoted paintings that were narrowly traditional in manner and that exalted the "blood and soil" values of racial purity, militarism, and obedience.
Temporary structures – Quonset hut, Nissen hut, prefabricated home. Underground – Underground living, rock-cut architecture, monolithic church, pit-house. Modern low-energy systems – Straw-bale construction, earthbag construction, rice-hull bagwall construction, earthship, earth house. Various styles – Longhouse.
The rise of the Nazi Party to power in 1933 brought about significant changes in the direction of architecture and urban planning in Germany. New political and administrative entities, formed to govern territories occupied between 1938 and 1942, had spatial and urban planning as core features. Albert Speer, Hitler's chief architect, applied his ...
[13] [14] The style, as developed by architects such as the Smithsons, Hungarian-born Ernő Goldfinger, and the British firm Chamberlin, Powell & Bon, was partly foreshadowed by the modernist work of other architects such as French-Swiss Le Corbusier, Estonian-American Louis Kahn, German-American Mies van der Rohe, and Finnish Alvar Aalto. [7] [15]
Briggs Hall, University of California, Davis (unknown, 1971) (Smith Barker Hanssen, architects) Cal Poly Pomona College of Environmental Design. Campus of the University of California, Irvine. Claire Trevor School of the Arts. Crawford Hall (Irvine) Cathedral of St. Mary of the Assumption, San Francisco [ 2 ]: 31.
Hermann Giesler completed his architectural study at the Academy for Applied Arts in Munich. Starting from 1930 he worked as an independent architect. In 1933 he became master of building of districts in Sonthofen and 1937, became a professor. Giesler was an early and enthusiastic Nazi.