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The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...
It is a slow twelve-bar blues performed in the West Coast blues-style that features Walker's smooth, plaintive vocal and distinctive guitar work. As well as becoming a record chart hit in 1948, it inspired B.B. King and others to take up the electric guitar. "Stormy Monday" became Walker's best-known and most-recorded song.
The form is unusual in that the verses are the now-familiar standard twelve-bar blues in common time with three lines of lyrics, the first two lines repeated, but it also has a 16-bar bridge written in the habanera rhythm, which Jelly Roll Morton called the "Spanish tinge" and characterized by Handy as tango.
Roll 'Em Pete. " Roll 'Em Pete " is a boogie-woogie song, originally recorded in December 1938 by singer Big Joe Turner and pianist Pete Johnson. [2] The recording is regarded as one of the most important precursors of what later became known as rock and roll. [3][4][5] "Roll 'Em Pete" was inducted into the Blues Hall of Fame in 2018, as one of ...
Traditional blues verses in folk-music tradition have also been called floating lyrics or maverick stanzas.Floating lyrics have been described as “lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics”.
Red House (song) " Red House " is a song written by Jimi Hendrix and one of the first songs recorded in 1966 by the Jimi Hendrix Experience. It has the musical form of a conventional twelve-bar blues and features Hendrix's guitar playing. He developed the song prior to forming the Experience and was inspired by earlier blues songs.
For the second eight bars, the song reverts to the last eight of the twelve-bar progression, which functions as a refrain or hook. [40] [21] The different textures provides the tune with a strong contrast, [35] which helps underscore the lyrics. [41] The song is performed at a moderate blues tempo (72 beats per minute) in the key of A. [42]
Songs that use the same harmony (chords) for the verse and chorus, such as the twelve bar blues, though the melody is different and the lyrics feature different verses and a repeated chorus, are in simple verse–chorus form. Examples include: "Shake, Rattle, and Roll" by Big Joe Turner (1954) [8]