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Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached ...
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims.
1650–1700 in Western fashion. The elegant gentleman wears a coat, waistcoat, and breeches. The lady's bodice is long-waisted and her over skirt is draped and pinned up behind, Dutch, 1678. Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque.
History of sewing patterns. A sewing pattern is the template from which the parts of a garment are traced onto woven or knitted fabrics before being cut out and assembled. Patterns are usually made of paper, and are sometimes made of sturdier materials like paperboard or cardboard if they need to be more robust to withstand repeated use.
The Renaissance in Scotland was a cultural, intellectual and artistic movement in Scotland, from the late fifteenth century to the beginning of the seventeenth century. It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late fourteenth century and reaching northern Europe as a Northern Renaissance in the fifteenth century.
In the modern era, Scottish Highland dress can be worn casually, or worn as formal wear to white tie and black tie occasions, especially at ceilidhs and weddings. Just as the black tie dress code has increased in use in England for formal events which historically may have called for white tie, so too is the black tie version of Highland dress increasingly common.
Tartan use in Britain between the 3rd-century Falkirk tartan and 16th-century samples, writings, and art is unclear. [149] [150] Cosmo Innes (1860) wrote that, according to medieval hagiographies, Scots of the 7th–8th centuries "used cloaks of variegated colour, apparently of home manufacture". [151]
Wardrobe of Mary, Queen of Scots. Mary, Queen of Scots in France, after François Clouet, her high collared doublet in pink or "incarnate" satin is embroidered with triplets of pearls, V&A. The wardrobe of Mary, Queen of Scots, was described in several contemporary documents, and many records of her costume have been published.
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