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In a rare film review, filmmaker Erich von Stroheim criticized the film's story and non-linear structure, but praised the technical style and performances, and wrote "Whatever the truth may be about it, Citizen Kane is a great picture and will go down in screen history. More power to Welles!"
First edition (publ. Thomas Dunne Books) Citizen Kane: A Filmmaker’s Journey is a 2016 non-fiction book written by Harlan Lebo about the making of Citizen Kane, the motion picture produced, directed, co-written, and starring Orson Welles that is ranked by the American Film Institute as the best motion picture ever made.
"Raising Kane" is a 1971 book-length essay by American film critic Pauline Kael, in which she revived controversy over the authorship of the screenplay for the 1941 film Citizen Kane. Kael celebrated screenwriter Herman J. Mankiewicz , first-credited co-author of the screenplay, and questioned the contributions of Orson Welles , who co-wrote ...
The Making of Citizen Kane. University of California Press. ISBN 978-0-520-20567-3. Gottesman, Ronald (1996). Perspectives on Citizen Kane. G.K. Hall. ISBN 978-0-8161-1616-4. Mulvey, Laura (4 September 2012). Citizen Kane. British Film Institute. ISBN 978-1-84457-497-1. Naremore, James (2004). Orson Welles's Citizen Kane: A Casebook. Oxford ...
In a few months Citizen Kane will be 80 years old, all involved now long-since departed, its status as one of the greatest films of all time as solid as ever. You’d think any old beefs would by ...
Citizen Kane is a 1941 American drama film directed by, produced by, and starring Orson Welles. Welles and Herman J. Mankiewicz wrote the screenplay. Citizen Kane is frequently cited as the greatest film ever made. [1] Citizen Kane was the only film made under Welles's original contract with RKO Pictures, which gave him complete creative control.
The assumption that the character of Susan Alexander Kane was based on Marion Davies was a major reason Hearst tried to destroy Citizen Kane. [34] Davies's nephew Charles Lederer insisted that Hearst and Davies never saw Citizen Kane, but condemned it based on the outrage expressed by trusted friends. Lederer believed that any implication that ...
Questions over the authorship of the Citizen Kane screenplay were revived in 1971 by influential film critic Pauline Kael, [4]: 494 whose controversial 50,000-word essay "Raising Kane" was printed in two consecutive issues of The New Yorker and subsequently as a long introduction to the shooting script in The Citizen Kane Book. [22]