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The Herald Angels Sing" is an English Christmas carol that first appeared in 1739 in the collection Hymns and Sacred Poems. The carol, based on Luke 2:8–14 , tells of an angelic chorus singing praises to God.
Part 2, beginning "Vaterland, in deinen Gauen", was later adapted to the words of Charles Wesley’s Christmas carol "Hark! The Herald Angels Sing " (against Wesley's original request, as he had originally wanted more somber music, though he had been long deceased by this point).
A chord's inversion describes the relationship of its lowest notes to the other notes in the chord. For instance, a C major triad contains the tones C, E and G; its inversion is determined by which of these tones is the lowest note (or bass note) in the chord. The term inversion often categorically refers to the different possibilities, though ...
In 1971, chorus/piano octavos were published by Lawson-Gould. Orchestral score and parts are now rented by European American Music. In 1983, two years after Robert Russell Bennett's death, Shaw recorded a somewhat revised digital stereo version of The Many Moods of Christmas , with the Atlanta Symphony Orchestra and Chorus, released that ...
"Ständchen" (known in English by its first line "Hark, hark, the lark"), D 889, is a lied for solo voice and piano by Franz Schubert, composed in July 1826 in the village of Währing (now a suburb of Vienna). It is a setting of the "Song" in Act 2, scene 3 of Shakespeare's Cymbeline.
For example, in music in a major key, such as C major, composers and songwriters may use a B ♭ major chord, that they "borrow" from the key of C minor (where it is the VII chord). Similarly, in music in a minor key, composers and songwriters often "borrow" chords from the tonic major. For example, pieces in C minor often use F major and G ...
In the Schuman example (Three Score Set for Piano), the inversions of the chords suggest a bichordal effect. [3] In the example on the top right, we see a series of quartal chords in parallel motion, in which the intervallic relationship between each consecutive chord member, in this case a minor second, is consistent.
The diminished seventh is used quite readily in the minor key, where it is present in the harmonic minor scale between the seventh scale step and the sixth scale step in the octave above. In 12-tone equal temperament , a diminished seventh is equal to nine semitones, a ratio of 2 9/12 :1 (approximately 1.6818), or 900 cents, and is ...
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