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"It's Only Make Believe" is a song written by drummer Jack Nance and Mississippi-born singer Conway Twitty, while they were touring across Ontario, Canada in 1958. Twitty was a relatively unknown rock n' roll singer at the time, and this song was his first hit, reaching No. 1 on the Billboard chart in November 1958 for two weeks.
When "It's Only Make Believe" was first released, because of vocal similarities, many listeners assumed that the song was actually recorded by Elvis Presley, using "Conway Twitty" as a pseudonym. Twitty would go on to enjoy rock-and-roll success with songs including " Danny Boy " (Pop number 10) and " Lonely Blue Boy " (Pop number 6).
The discography of Conway Twitty and Loretta Lynn consists of 10 studio albums, seven compilation albums, 13 singles, and two charted B-sides. While signed to Decca and MCA as solo artists, Twitty and Lynn charted 12 duet singles in the top ten of the Billboard Hot Country Singles chart, including five number one hits.
We Only Make Believe is the first collaborative studio album by Conway Twitty and Loretta Lynn. It was released on February 1, 1971, by Decca Records. [1] This was the first of ten albums Twitty and Lynn would release. The album's first track is a cover of Twitty's solo hit "It's Only Make Believe", which Twitty co-wrote with Jack Nance. Lynn ...
"Hello Darlin'" is a song written and recorded by American country music artist Conway Twitty. It was released in March 1970 as the first single and title track from the album Hello Darlin . The song was Twitty's fourth No. 1 song on the Billboard magazine Hot Country Singles chart. [ 1 ]
This is a detailed discography for American singer and songwriter Conway Twitty; he released 58 studio albums during his life.. Beginning his studio album journey in the late 1950s with releases such as "Conway Twitty Sings" and "Saturday Night with Conway Twitty," Twitty's early work primarily explored the rockabilly genre.
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Moving to Curb Records in 1986, McDowell scored a Top 10 hit with "It's Only Make Believe", a duet with Conway Twitty on what had been Twitty's breakthrough rock and roll hit in 1958. [5] Initially a member of McDowell's back-up band would substitute for Twitty during live performances.