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Grace Greater Than All Our Sin. 1 Marvelous grace of our loving Lord, Grace that exceeds our sin and our guilt! Yonder on Calvary's mount out-poured – There where the blood of the Lamb was spilt. [Refrain] 2 Sin and despair, like the sea-waves cold, Threaten the soul with infinite loss; Grace that is greater– yes, grace untold –
Catullus 85 is a poem by the Roman poet Catullus for his lover Lesbia. Its declaration of conflicting feelings, "I hate and I love", is renowned for its drama, force and brevity. [ 1 ] The meter of the poem is the elegiac couplet .
"Maxims I" (sometimes treated as three separate poems, "Maxims I, A, B and C") and "Maxims II" are pieces of Old English gnomic poetry. The poem "Maxims I" can be found in the Exeter Book and "Maxims II" is located in a lesser known manuscript, London, British Library, Cotton Tiberius B i.
Key to the ambitions of Paradise Lost as a poem is the creation of a new kind of epic, one suitable for English, Christian morality rather than polytheistic Greek or Roman antiquity. This intention is indicated from the very beginning of the poem, when Milton uses the classical epic poetic device of an invocation for poetic
The choice of a clod of clay to represent this innocent view of love is significant because it is soft, and this view point is easily squished by life, or in this poem the foot of a cow. [2] The clod also represents innocence because it is made of clay, the same material God used to mold Adam.
Poems of Sentiment and Reflection (1815 and 1820); Memorials of a Tour in Scotland, 1803 1807 To a Highland Girl (at Inversneyde, upon Loch Lomond) (V) 1803 "Sweet Highland Girl, a very shower" Poems of the Imagination (1815 and 1820); Memorials of a Tour in Scotland, 1803 1807 Glen Almain; or, The Narrow Glen (VI) 1803
The hymn's lyrics refer to the heavenly host: "Thee we would be always blessing / serve thee with thy hosts above".. At its first appearance, the hymn was in four stanzas of eight lines (8.7.8.7.D), and this four-stanza version remains in common and current use to the present day, being taken up as early as 1760 in Anglican collections such as those by Madan (1760 and 1767), Conyers (1772 ...
Sonnet 83 is an English or Shakespearean sonnet, which has three quatrains, followed by a final rhyming couplet.It follows the rhyme scheme ABBA ABBA CDCD EE and is composed in iambic pentameter, a metre of five feet per line, with two syllables in each foot accented weak/strong.