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The Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai (characteristic melodic behaviour, or the scale structure associated with it); one of the medieval musical modes; or—most commonly—one of the modern modal diatonic scales, corresponding to the piano keyboard's white notes from D to D, or any transposition of itself.
The Dorian mode, and Aeolian dominant scale (Dorian ♯3 ♭6 scale), and Neapolitan major scale (Dorian ♭2 ♯7 scale), and double harmonic scale (Dorian ♭2 ♯3 ♭6 ♯7 scale), are all self-dual. [citation needed] However, there are no harmonic scales that are self-dual.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — — 17 equal ...
The Phrygian mode (pronounced / ˈ f r ɪ dʒ i ə n /) can refer to three different musical modes: the ancient Greek tonos or harmonia, sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
Other scales with a minor third and a perfect fifth (i.e. containing a minor triad) are also commonly referred to as minor scales. Within the diatonic modes of the major scale, in addition to the Aeolian mode (which is the natural minor scale), the Dorian mode and the Phrygian mode also fall under this definition.
Asymmetric scales are "far more common" than symmetric scales and this may be accounted for by the inability of translational symmetric scales to possess the property of uniqueness (containing each interval class a unique number of times) which assists with determining the location of notes in relation to the first note of the scale. [4]
In music, the Ukrainian Dorian scale (or the Dorian ♯4 scale) is a modified minor scale with raised 4th and 6th, and lowered 7th degrees, often with a variable 4th degree. It has traditionally been common in the music of Eastern Europe , Southeast Europe , and the Mediterranean including Jewish, Greek, Ukrainian, and Romanian music.
The Hypodorian mode, a musical term literally meaning 'below Dorian', derives its name from a tonos or octave species of ancient Greece which, in its diatonic genus, is built from a tetrachord consisting (in rising direction) of a semitone followed by two whole tones. The rising scale for the octave is a single tone followed by two conjoint ...