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Writing and Difference (French: L'écriture et la différence) is a book by the French philosopher Jacques Derrida. The work, which collects some of the early lectures and essays that established his fame, was published in 1967 alongside Of Grammatology and Speech and Phenomena .
Francis Bacon: The Logic of Sensation (French: Francis Bacon: Logique de la sensation) is a 1981 book by philosopher Gilles Deleuze, analyzing the work of twentieth-century British figurative painter Francis Bacon. In this biography, Deleuze discusses aesthetics, objects of perception ('percepts'), and sensation. [1]
Lartigue's work is held in the permanent collections of many institutions worldwide, including the Harvard Art Museums, [5] the Los Angeles County Museum of Art, [6] the George Eastman Museum, [7] the Detroit Institute of Arts, [8] the University of Michigan Museum of Art, [9] the San Francisco Museum of Modern Art, [10] the Princeton University Art Museum, [11] the Museum of Modern Art, [12 ...
In The Differend, based on Immanuel Kant's views on the separation of Understanding, Judgment, and Reason, Lyotard identifies the moment in which language fails as the differend, and explains it as follows: "...the unstable state and instant of language wherein something which must be able to be put into phrases cannot yet be… the human beings who thought they could use language as an ...
The basic definition of a co-edition is when two publishing houses publish the same edition of a book (or equivalent versions of an edition, for example, translated versions), simultaneously or near-simultaneously, usually in different countries. English and American editions may differ in spelling, and they sometimes have different titles ...
50 Reasons to Hate the French: Vive La Difference? is a humorous book by Jules Eden and Alex Clarke that takes an irreverent look at French politics, food, geography, business, and history, in order to delineate just what makes France so "exceptionnel". [1]
The first editions of Bruckner's works published by Theodor Rättig, Albert Gutmann, Haslinger-Schlesinger-Lienau and Ludwig Doblinger during and slightly after Bruckner's lifetime tended to "incorporate orchestral retouching, alterations in phrasing, articulation, and dynamics, and added tempo and expression markings," and on occasion were cut. [1]
The editor (or editors, often there are several) of an edited volume is the key figure in conceiving and producing the book. [1] He or she is responsible for determining the book's purpose, structure and style (as laid out in a book proposal); for signing a book contract with an interested publisher; and for selecting the individual contributors who will write the chapters (and possibly the ...