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Doering exhibited her baskets widely, including at such venues as the Southern Plains Indian Museum, Coulter Bay Indian Art Museum, Wheelwright Museum of the American Indian, Fred Jones Jr. Museum of Art, Oklahoma Historical Society, the Kennedy Center in Washington DC, and the Smithsonian Institution Folklife Festival. In 1982 and 1983, she ...
Julia Florence Parker (born February 1928) [1] is a Coast Miwok-Kashaya Pomo basket weaver.. Parker studied with some of the leading 20th century indigenous Californian basketweavers: Lucy Telles (Yosemite Miwok-Mono Lake Paiute); Mabel McKay, (Cache Creek Pomo-Patwin) and Elsie Allen (Cloverdale Pomo).
Christine Navarro Paul (December 28, 1874 – 1946), a member of the Native American Chitimacha Tribe of Louisiana, was a celebrated basket maker and teacher.. Beginning in her 20s, she led the efforts of the Chitimacha women to create and sell beautiful woven baskets made from dyed wild river cane.
Louisa Keyser, or Dat So La Lee (c. 1829 - December 6, 1925) was a celebrated Native American basket weaver. A member of the Washoe people in northwestern Nevada , her basketry came to national prominence during the Arts and Crafts movement and the "basket craze" of the early 20th century.
This piece is on display in the Native American art collection of the Casino Arizona. The curator there, Aleta Rinlero says of Antone's work: "She doesn't weave baskets, she weaves concepts." [4] Ancient Hohokam pottery designs also provide Antone with inspiration for basket designs, as have the flora and fauna of the Sonoran Desert. To achieve ...
Elsie Comanche Allen (September 22, 1899 – December 31, 1990) was a Native American Pomo basket weaver from the Cloverdale Rancheria of Pomo Indians of California in Northern California, significant as for historically categorizing and teaching Californian Indian basket patterns and techniques and sustaining traditional Pomo basketry as an art form.
A woven basket made by Lucy Telles (National Museum of the American Indian) Telles, who learned basket weaving as a child, was well known for her fine basketry during her lifetime. Her innovations in basket weaving had a lasting influence on Yosemite weavers. While traditional Miwok baskets had one color, she used two colors per basket.
Goshorn also modeled some of her baskets after those that would have had specific uses in the tribal community. [citation needed] She told the American Indian Magazine, that it could take six months to weave a basket. [5] Before her focus on baskets, Goshorn's work consisted largely of drawings, paintings, photography and hand-tinted photography.