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Doering exhibited her baskets widely, including at such venues as the Southern Plains Indian Museum, Coulter Bay Indian Art Museum, Wheelwright Museum of the American Indian, Fred Jones Jr. Museum of Art, Oklahoma Historical Society, the Kennedy Center in Washington DC, and the Smithsonian Institution Folklife Festival.
Louisa Keyser, or Dat So La Lee (c. 1829 - December 6, 1925) was a celebrated Native American basket weaver. A member of the Washoe people in northwestern Nevada , her basketry came to national prominence during the Arts and Crafts movement and the "basket craze" of the early 20th century.
Elsie Comanche Allen (September 22, 1899 – December 31, 1990) was a Native American Pomo basket weaver from the Cloverdale Rancheria of Pomo Indians of California in Northern California, significant as for historically categorizing and teaching Californian Indian basket patterns and techniques and sustaining traditional Pomo basketry as an art form.
This resulted in great innovation in the form of the baskets. Many pieces by Native American basket weavers from all parts of California are in museum collections, such as the Peabody Museum of Archaeology and Ethnology at Harvard University, the Southwest Museum, and the Smithsonian Institution National Museum of the American Indian.
Chilkat weaving and Ravenstail weaving are regarded as some of the most difficult weaving techniques in the world. A single Chilkat blanket can take an entire year to weave. In both techniques, dog, mountain goat, or sheep wool and shredded cedar bark are combined to create textiles featuring curvilinear formline designs.
A woven basket made by Lucy Telles (National Museum of the American Indian) Telles, who learned basket weaving as a child, was well known for her fine basketry during her lifetime. Her innovations in basket weaving had a lasting influence on Yosemite weavers. While traditional Miwok baskets had one color, she used two colors per basket.
This piece is on display in the Native American art collection of the Casino Arizona. The curator there, Aleta Rinlero says of Antone's work: "She doesn't weave baskets, she weaves concepts." [4] Ancient Hohokam pottery designs also provide Antone with inspiration for basket designs, as have the flora and fauna of the Sonoran Desert. To achieve ...
Pomo baskets made by Pomo Indian women of Northern California are recognized worldwide for their exquisite appearance, range of technique, fineness of weave, and diversity of form and use. While women mostly made baskets for cooking, storing food, and religious ceremonies, Pomo men also made baskets for fishing weirs, bird traps, and baby baskets.
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