Search results
Results from the WOW.Com Content Network
Deconstructivism is a postmodern architectural movement which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. [ 1 ]
Jacques Derrida (/ ˈ d ɛr ɪ d ə /; French: [ʒak dɛʁida]; born Jackie Élie Derrida; [6] 15 July 1930 – 9 October 2004) was a French philosopher. He developed the philosophy of deconstruction, which he utilized in a number of his texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology.
Neolithic – a period of primitive technological and social development, beginning about 10,200 BC in parts of the Middle East, and later in other parts of the world. Chalcolithic (or "Eneolithic", "Copper Age") – still largely Neolithic in character, when early copper metallurgy appeared alongside the use of stone tools.
In philosophy, deconstruction is a loosely-defined set of approaches to understanding the relationship between text and meaning.The concept of deconstruction was introduced by the philosopher Jacques Derrida, who described it as a turn away from Platonism's ideas of "true" forms and essences which are valued above appearances.
Postmodernism encompasses a wide range of artistic movements and styles. In visual arts, pop art , conceptual art , feminist art , video art , minimalism , and neo-expressionism are among the approaches recognized as postmodern.
Deconstructivism 1982–present; Decorated Period c. 1290 – c. 1350; Dragestil 1880s–1910s, Norway; Dutch Colonial 1615–1674 (Treaty of Westminster) New England; Dutch Colonial Revival c. 1900 New England; Dzong Architecture Tibet and Bhutan; Early English Period c. 1190 – c. 1250; Ephemeral architecture; Eastlake Style 1879–1905 New ...
His works always have at least some element of deconstructivism; [66] he has been called "the apostle of chain-link fencing and corrugated metal siding". [67] However, a retrospective exhibit at New York's Whitney Museum in 1988 revealed that he is also a sophisticated classical artist who knows European art history and contemporary sculpture ...
Most of his buildings were constructed of raw concrete in cubic forms, but had wide openings which brought in light and views of the nature outside. Beginning in the 1990s, he began using wood as a building material, and introduced elements of traditional Japanese architecture, particularly in his design of the Museum of Wood Culture (1995).