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Deconstructivism is a postmodern architectural movement which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. [ 1 ]
In philosophy, deconstruction is a loosely-defined set of approaches to understanding the relationship between text and meaning.The concept of deconstruction was introduced by the philosopher Jacques Derrida, who described it as a turn away from Platonism's ideas of "true" forms and essences which are valued above appearances.
Lawrence D. Kritzman: Kritzman is a theorist of Renaissance literature and a cultural critic. Inspired by the thought of Jacques Derrida and psychoanalysis, he has innovated the study of sixteenth century texts. He holds the John D. Willard Professor of French, Comparative Literature, and Oratory at Dartmouth College. [citation needed]
Jacques Derrida (/ ˈ d ɛr ɪ d ə /; French: [ʒak dɛʁida]; born Jackie Élie Derrida; [6] 15 July 1930 – 9 October 2004) was a French philosopher. He developed the philosophy of deconstruction, which he utilized in a number of his texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology.
Postmodernism encompasses a wide range of artistic movements and styles. In visual arts, pop art , conceptual art , feminist art , video art , minimalism , and neo-expressionism are among the approaches recognized as postmodern.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
In the late 1990s, it divided into a multitude of new tendencies, including high-tech architecture, neo-futurism, new classical architecture, and deconstructivism. [2] However, some buildings built after this period are still considered postmodern. [3]
His works always have at least some element of deconstructivism; [66] he has been called "the apostle of chain-link fencing and corrugated metal siding". [67] However, a retrospective exhibit at New York's Whitney Museum in 1988 revealed that he is also a sophisticated classical artist who knows European art history and contemporary sculpture ...