Search results
Results from the WOW.Com Content Network
Anglo-Saxon woman's attire (West Stow Anglo Saxon Village) The most conventional interpretation of the poem is as a lament spoken in the first person by an unnamed woman who is or has in the past been involved with two men whose names are Wulf and Eadwacer respectively. Both of these are attested Anglo-Saxon names, and this interpretation is ...
It has been proposed that this poem demonstrates the fundamental Anglo-Saxon belief that life is shaped by fate. [16] In The Search for Anglo-Saxon Paganism (1975), Eric Stanley pointed out that Henry Sweet 's Sketch of the History of Anglo-Saxon Poetry in W. C. Hazlitt 's edition of Warton's History of English Poetry (1871), expresses a ...
The Wanderer is an Old English poem preserved only in an anthology known as the Exeter Book.It comprises 115 lines of alliterative verse.As is often the case with Anglo-Saxon verse, the composer and compiler are anonymous, and within the manuscript the poem is untitled.
Roman pool (with associated modern superstructure) at Bath, England.The pool and Roman ruins may be the subject of the poem. "The Ruin of the Empire", or simply "The Ruin", is an elegy in Old English, written by an unknown author probably in the 8th or 9th century, and published in the 10th century in the Exeter Book, a large collection of poems and riddles. [1]
While Old English epic poetry may bear some resemblance to Ancient Greek epics such as the Iliad and Odyssey, the question of if and how Anglo-Saxon poetry was passed down through an oral tradition remains a subject of debate, and the question for any particular poem unlikely to be answered with perfect certainty.
The Anglo-Saxon Poetic Records (ASPR) is a six-volume edition intended at the time of its publication to encompass all known Old English poetry.Despite many subsequent editions of individual poems or collections, it has remained the standard reference work for scholarship in this field.
Interpreting the text of the poem as a woman's lament, many of the text's central controversies bear a similarity to those around Wulf and Eadwacer.Although it is unclear whether the protagonist's tribulations proceed from relationships with multiple lovers or a single man, Stanley B. Greenfield, in his paper "The Wife's Lament Reconsidered," discredits the claim that the poem involves ...
The four poems, like a substantial portion of Anglo-Saxon poetry, are sculpted in alliterative verse. All four poems draw upon Latin sources such as homilies and hagiographies (the lives of saints ) for their content, and this is to be particularly contrasted to other Old English poems (e.g., Genesis, Exodus, and Daniel ), which are drawn ...