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Neon Genesis Evangelion (Japanese: 新世紀エヴァンゲリオン, Hepburn: Shinseiki Evangerion, lit. ' New Century Evangelion ' in Japanese and lit. ' New Beginning Gospel ' in Greek), also known as Evangelion or Eva, is a Japanese mecha anime television series produced by Gainax, animated by Tatsunoko, and directed by Hideaki Anno.
Hideaki Anno (Japanese: 庵野 秀明, Hepburn: Anno Hideaki, born May 22, 1960) [1] is a Japanese animator, filmmaker and actor. [1] His most celebrated creation, the Evangelion franchise, has had a significant influence on the anime television industry and Japanese popular culture.
Neon Genesis Evangelion director Hideaki Anno. In 1993 Neon Genesis Evangelion studio Gainax wrote a document introducing the series in the pipeline called New Century Evangelion (tentative name) Proposal (新世紀エヴァンゲリオン (仮) 企画書, Shinseiki Evangelion (kari) kikakusho), which already contained a synopsis of the episodes.
Neon Genesis Evangelion also known simply as Evangelion or Eva, is a Japanese mecha anime television series produced by Gainax and animated by Tatsunoko, [45] directed by Hideaki Anno and broadcast on TV Tokyo from October 1995 to March 1996.
Directed by Neon Genesis Evangelion's Hideaki Anno, the latest live-action Kamen Rider adventure sees the famous Japanese superhero fight like never before. Watch on Amazon.
In 1995, Tsurumaki served as an assistant director under Hideaki Anno in Gainax's landmark series Neon Genesis Evangelion, in which role he handled production, art director and setting assistant for some episodes. In 1997, he directed episode 25', the first half of the cinematic conclusion to the Evangelion series, The End of Evangelion.
Neon Genesis Evangelion is an anime series produced by Gainax and Tatsunoko Production and directed by Hideaki Anno. It began broadcasting in Japan on TV Tokyo on October 4, 1995, and ended on March 27, 1996. Evangelion is an apocalyptic [1] anime in the mecha genre.
In 1997 Japan, Neon Genesis Evangelion was at the center of national debates and became a social phenomenon. It thus attracted to theaters a large number of people intrigued by the controversy surrounding the original ending. The film version also drew the attention of journalists, as well as people who were not normally interested in animation.