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The Disputation of the Sacrament (Italian: La disputa del sacramento), or Disputa, is a painting by the Italian Renaissance artist Raphael.It was painted between 1509 and 1510 [1] as the first part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
The Transfiguration is the last painting by the Italian High Renaissance master Raphael.Cardinal Giulio de Medici – who later became Pope Clement VII (in office: 1523–1534) – commissioned the work, conceived as an altarpiece for Narbonne Cathedral in France; Raphael worked on it in the years preceding his death in 1520. [1]
Other figures in that and later paintings in the room show the same influences, but as still cohesive with a development of Raphael's own style. [41] Michelangelo accused Raphael of plagiarism and years after Raphael's death, complained in a letter that "everything he knew about art he got from me", although other quotations show more generous ...
It was commissioned by Cardinal Giulio de' Medici, then Archbishop of Narbonne and later Pope Clement VII (r. 1523–24), in what was effectively a contest engineered by Michelangelo, using Sebastiano as "a kind of deputy", [1] or "cat's paw", [2] in a rivalry between the two and Raphael, whose Transfiguration (now in the Vatican Pinacoteca) is ...
Despite his early death at 37, a large body of work remains, especially in the Vatican, where Raphael and a large team of assistants, executing his drawings under his direction, frescoed the Raphael Rooms known as the Stanze. He was extremely influential in his lifetime, but after his death the influence of his rival Michelangelo was more ...
Raphael's version was part of his Raphael Cartoons, a series of tapestries created for the Sistine Chapel in 1515–16. "If we could turn Raphael's Saint Paul in such a way that his head would touch the lower frame and the length of his body would be directed more or less orthogonally inward, we would have a figure similar to that in Caravaggio ...
Fortitude's seated posture and the folds of her clothing are copied directly from a modello Raphael had seen of Michelangelo's Moses. [7] Prominently seated in the center is Prudence. On her breast is an effigy of a winged Gorgon to ward off deceit and fraud. Janus-like, her head has two faces shown in profile. Her youthful feminine face looks ...
The Deposition (also called the Bandini Pietà or The Lamentation over the Dead Christ) is a marble sculpture by the Italian High Renaissance master Michelangelo.The sculpture, on which Michelangelo worked between 1547 and 1555, depicts four figures: the dead body of Jesus Christ, newly taken down from the Cross, Nicodemus [1] (or possibly Joseph of Arimathea), Mary Magdalene and the Virgin Mary.